David Kechley


KARASUMA: A Fast Funk for Orchestra

Instrumentation2 fl, picc, 2 ob, EH, 2 clar, BCl, 2 Bsn, Cbsn, 4 horn, 3 Trpt, 3 Trb, Tuba, 4 Perc, Set Drums, Piano, Harp and String (adaquate for balance and does contain divisi parts in all except the contrabass)
Length7 minutes
Difficultymoderate to difficult (most problems are rhythmic in nature). Has been played by professional and college orchestras
Commentsvery energetic and uses appealing and familiar materials, but develops this in sophisticated ways. Has a lyrical and expansive middle section. Great for a concert opener. Can work as the more serious piece on a pops concert or the more straight forward piece on a subscription type concert. KARASUMA is the name of a street, district and train line in Kyoto, Japan where the piece was originally conceived.
SourcesPerusal scores and recordings available at no charge and parts available on rental from http://www.pinevalleypress.com, Email info@pinevalleypress.com or
Pine Valley Press
PO Box 582
Williamstown, MA 01267
Fax (413) 458 3202
ExtrasNo MIDI file available, but performance recording and perusal score available anytime at no charge
HistoryPremiered by the Boston Pops in 1993 under the title "Blackbird". Performed subsequently by Music at Penn's Woods (Pu-Qi Jiang, conductor), Towson University (Mark McCoy, conductor), St. George's Philharmonic(Ray Fowler, conductor).
ContributorPine Valley Press
Other

Tuahku: A Dark Samba for Orchestra

Instrumentation2 fl, picc, 2 ob, EH, 2 clar, BCl, 2 Bsn, Cbsn, 4 horn, 3 Trpt, 3 Trb, Tuba, 4 Perc, Piano, Harp and String (adaquate for balance and does contain divisi parts in all parts including bass)
Length10 minutes
DifficultySomewhat difficult (most problems are rhythmic in nature, string parts are technically difficult)
CommentsVery percussive and energetic using chromatic and modal materials in the context of samba rhythm. Lyrical, but foboding middle section in which the percussion continues. Great for a concert opener or closer. Can work as the more serious piece on a pops concert or the more straight forward piece on a subscription type concert. The title is an attempt to spell a Native American name for a place better known today as Mt. Rainier.
SourcesPerusal scores and recordings available at no charge and parts available on rental from http://www.pinevalleypress.com, Email info@pinevalleypress.com or
Pine Valley Press
PO Box 582
Williamstown, MA 01267
Fax (413) 458 3202.
ExtrasNo MIDI file available, but performance recording and perusal score available anytime at no charge.
HistoryPremiered by the New England Conservatory Orchestra in Fall of 1997, by the Auburn Symphony in Seattle on March 6 and 8 (Stuart Kershaw, conductor).
ContributorPine Valley Press
OtherAvailable on disc, The Skylark Sings: Music by David Kechley (Liscio #LCD 9789-2) from http://www.lisciorecordings.com

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